其他
McaM讲座丨情境与感性：六十年代的日常游戏
地点📍上海明当代美术馆-公共教育空间上海市静安区永和东路436号费用💵：免费
Speaker🎤：Feiran JiangTime⌚️：14:00-15:30，Dec 26th, 2020Venue📍McaM Public Education SpaceNo.436 East Yonghe Rd, Jing'an Disctrict💵Free Admission
1954年，法国的一群艺术家发行了刊物“Potlatch”，这个词的意思是“冬宴，或夸富宴”。在赫伊津哈（Johan Huizinga）的《游戏的人》（Homo Ludens，1938)一书中，Potlatch是一种文化意义上的游戏。三年后，这群冬宴者成立了情境主义国际（Situationist International)。
情境主义者是一群“游戏的人”。整个六十年代，他们都试图用集体游戏的方式构建临时的情境，以对抗景观社会对感知性的封锁。而今天，当发达的游戏产业在技术、资本和网络的全副武装下成为了景观的重要组成部分，又以艺术的新衣赋予自身正当性时，游戏的人何在？
我们从日常生活出走，进入游戏厅/展厅，我们谈论游戏的人/艺术家；而在六十年代，游戏厅就是日常生活。当我们谈论游戏时，我们在谈论什么？我们谈论的是不是一种游戏？
讲座意在两个时代的对望与张力中重新理解六十年代与当下的社会现实与艺术实践，试问在当代媒介景观中，人的感知性状况，以及游戏的人之可能。
In 1954, a group of French artists launched the magazine Potlatch. The word “potlatch” ，according to Johan Huizinga, author of Homo Ludens, is a cultural vessel that holds all things that define these people, which can also be viewed as a kind of play. In 1957, Situationist International was founded, by the same group of people who launched the Potlatch magazine.
The situationists is a typical group of players. Throughout the nineteen sixties, they employed various tactics of collective play to create “situations” where humans would interact together as men of sensibility, rather than mediated by the commodities. Fast forward to today, the spectacle is way more developed than in the sixties. Armed with latest technologies, capital and the Internet, the gaming industry today is enjoying itself the de facto spectacle of our society, yet justified in its combination with art industry. Players are players of games or players of beings? And where are the Homo Ludens?
We step out of everyday life to step into the game cafes/ museum galleries, and we talk about player of beings/artists. Yet the playground for the Situationists back in the sixties situates in the everyday life itself. That begs the question, what are we talking about when we are talking about play? Are we talking about the same kind of play?
In this lecture, the speaker will share her perspectives on social and art praxis, with references to the nineteen sixties and the contemporary, try to ponder about conditions of human sensibility in contemporary media spectacle and the possibilities of play within.
关于讲者
Jiang Feiran is an artist, curator, text and video experimenter. Jiang graduated from the Film Department of the University of Wisconsin-Milwaukee and is currently studying for a Ph.D. at the Institute of Contemporary Art and Social Thought (ICAST) at the Intermedia School of the China Academy of Art. Her research engages with avant-gardes in the 1960s and the sensibility in postmodern age. She is the curator of “Dune of Sensibility” (2020), “Rats escaping the labyrinth——60th Anniversary of OuliPo”, a co-curator of “Inter-World-View” (2019) and the guest chief editor of Sci-Fi Theater for the second issue of UnArt online magazine (2020).
-END-
推荐阅读
McaM展览｜“游戏的人”正式开幕
McaM 展览丨游戏的人 Player Of Beings
McaM 回顾｜展览《神秘参与》你参与了吗？
正在展出
2020年12月12日 -2021年3月28日
策展人：邱志杰、陈抱阳
参展艺术家：
aaajiao、曹斐、陈厚闻+崔业成+祁子航+刘金星+廖紫菱+武婧仪、丁楠+雷剑豪+曲鸣飞、冯梦波、邵志飞、JODI、陆飞+孙浩+朱洽、陆扬、彭家园+王长城+王梦瑶、郑国谷
主办
协办
中央美术学院科技艺术研究院
支持
地点
上海静安区永和东路 436 号
McaM上海明当代美术馆
💰票价：90元
*学生、60周岁以上老人现场购票，持有效证件60元
1.2米以下儿童45元