胡智锋，陈寅：A Theoretical System for Chinese Films and Television

To Cite This Article

Hu, Zhifeng and Chen, Yin. "Constructing a Theoretical System for Chinese Films and Television: A Review of Academic Views of China’s Mainstream Film and Television Since 2017" Journal of Chinese Film Studies, vol. 3, no. 2, 2023, pp. 329-351. https://doi.org/10.1515/jcfs-2023-0034

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胡智锋

Zhifeng Hu

Zhifeng Hu, professor and doctoral supervisor at Beijing Normal University, and the Former Deputy Secretary of the party committee and vice president of Beijing Film Academy. Hu is the convener of the Drama and Film and Television Discipline Evaluation Group of the Academic Degrees Committee of the State Council, vice chairman of China Television Artists Association, a member of the 11th National Committee of the China Federation of Literary and Art Circles, and was the director of the Chinese Collegial Association for Visual Art. He is the first distinguished professor to be “Changjiang Scholar” of the Ministry of Education in the academic field of media in China, and a senior visiting scholar at Harvard University. Hu has engaged in teaching and research on film and television culture, film and television art, and media art for many years. He has undertaken more than 40 major national social science projects and published over 400 academic papers. His achievements have won many national and provincial awards, and he has visited over 40 countries in Asia, Europe, the United States, Africa, Australia, and other continents for lectures and academic exchanges.

胡智锋，北京师范大学教授、博士生导师，北京电影学院原党委副书记、副校长，国务院学位委员会戏剧与影视学科评议组召集人，中国电视艺术家协会副主席，中国文联第十一届全国委员会委员，中国高校影视学会第三任会长。中国大学生视觉艺术学会理事，中国传媒学界首位教育部“长江学者”特聘教授，哈佛大学高级访问学者。多年从事影视文化、影视艺术、媒介艺术的教学与研究工作。承担国家重大社会科学项目40余项，发表学术论文400余篇。其成就多次获得国家和省级奖项，并访问了亚洲、欧洲、美国、非洲、澳大利亚等40多个国家进行讲座和学术交流。

陈寅

Yin Chen

Yin Chen, lecturer and master's supervisor of Shanghai Film Academy, Shanghai University, and PhD of Beijing Normal University. His main areas of research are television and online audio-visual literature and art, media art and culture.

陈寅，上海大学上海电影学院讲师、硕导，北京师范大学博士。主要研究领域：电视与网络视听文艺研究、传媒艺术与文化研究。

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Abstract and Keywords

Abstract: Since 2017, new achievements have been made in the field of mainstream Chinese films and television: specifically, in the interpretation of strategic policies,research on creation and production, and foundational theoretical research. These achievements have chiefly been embodied in the following areas: reaching historical achievements and changes in comprehensive, systematic and in-depth interpretation and analysis of China’s mainstream films and television; focusing on the creative practices, innovations and trends in China’s mainstream films and television; elucidating the remarkable characteristics of development; distilling the Chinese school and Chinese model; proposing a series of original academic discourse; forming a series of important theoretical achievements; and completing the first stage of constructing a system for Chinese films and television in the new era.

Keywords:Chinese characteristics; Chinese school; construction of film and television theoretical system; mainstream films and television; the 19th National Congress of the Communist Party of China

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摘要：党的十九大以来，在习近平新时代中国特色社会主义思想引领和指导下，中国主旋律影视领域战略政策解读、创作生产研究、基础理论研究取得新成就。突出表现为：全面、系统、深入阐释和分析中国主旋律影视领域在党的领导下取得的历史性成就、发生的历史性变革；深度聚焦新时代中国主旋律影视领域创作实践、创新现象及其潮流趋向，深入阐发新时代中国主旋律影视发展的显著特色；凝练中国学派、中国模式，提出一系列原创性学术话语，形成一系列重要理论成果，初步构建了新时代中国影视理论体系。

关键词：十九大　主旋律影视　影视理论体系建构　中国学派　中国特色

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Interpretation of Strategic Policies: Adhere to the Chinese Path and Highlight the Chinese Model

Since 2017, academic research and theoretical development in the field of China’s mainstream film and television have been very active. Studies of China’s mainstream film and television have made new achievements in policy interpretation, research in creative production and basic theoretical research, producing original academic discourse and constituting a series of important theoretical achievements.

These academic achievements are not only a positive response to and highly refined summation of the empirical phenomenon of Chinese film and television in the new era (i.e. since the 19th Party Congress in 2017); they are also a profound and theoretical response to the prospering of film and television creation and production under the 19th National Congress of the Communist Party of China.

This has seen preliminary construction of a theoreticalsystem for Chinese film and television in the new era, becoming an importantcomponent in the building of Chinese film and television culture and the development of academic and discursive systems for film and television with Chinese characteristics.

党的十九大以来，中国主旋律影视领域的学术研究与理论建构表现得非常活跃。在习近平新时代中国特色社会主义思想引领和指导下，中国主旋律影视领域战略政策解读、创作生产研究、基础理论研究取得新成就，提出一系列原创性学术话语，形成一系列重要理论成果。

这些学术成果既是对新时代中国经验性影视现象的积极呼应与高度提炼总结，也是对党的十九大以来繁荣发展的主旋律影视创作生产的深度学术回应与理论创建，初步构建了新时代中国影视理论体系，成为中国影视文化建设与中国特色影视学术体系、话语体系建构的重要组成部分。

1. Interpretation of Strategic Policies: Adhere to the Chinese Path and Highlight the Chinese Model

Since 2017, China’s film and television industry has ushered in a historic transformation from being a major country in films and television to a strong country in films and television. Focusing on the construction of a strong cultural country and a country strong in film and television has become the main theme, main task, and main direction of research in the field of Chinese film and television since 2017. In terms of strategic policy interpretation, this has mainly been reflected in a comprehensive, systematic, and in-depth interpretation and analysis of the historical achievements and changes made in the field of film and television under the leadership of the Communist Party of China (CPC). Guided by important policy documents on the development of film and television, work in this area has explored the paths and methods by which to achieve high-quality development of film and television and build a strong country in film and television.

战略政策解读：坚持中国道路，彰显中国模式

站在新的历史方位下，中国影视领域迎来了从影视大国向影视强国的历史性转变。聚焦文化强国、影视强国建设，成为党的十九大以来中国影视领域研究的主基调、主任务、主方向。在战略政策解读方面，集中体现为全面、系统、深入阐释和分析中国主旋律影视领域在党的领导下取得的历史性成就、发生的历史性变革，以影视发展重要政策文件为遵循，探索实现影视高质量发展、建设影视强国的路径方法。

2.Research on Creative Production: Focusing on Chinese Stories and Interpreting Chinese Characteristics

Research on creative production has focused on creative practice, innovative phenomena, and trends in the field of mainstream Chinese film and television in the new era. It has also elucidated the significant characteristics of the development of mainstream Chinese film and television in the new era. With the continuous promotion of innovative practices in films and television dramas in the new era, academic discussions and theoretical research on new mainstream films and mainstream TV dramas are increasing, and a preliminary system of academic discourse on new mainstream films and television dramas has been formed. The new forms, features, and phenomena of creative production in the field of mainstream film and television have also received close attention and deep interpretation, making important theoretical contributions to promoting the innovative development of Chinese films and television in the new era.

创作生产研究：聚焦中国故事，阐发中国特色

在创作生产研究方面，集中体现为聚焦新时代中国主旋律影视领域创作实践、创新现象及其潮流趋向，深入阐发新时代中国主旋律影视发展的显著特色。伴随新时代影视剧创新实践的不断推进，有关新主流电影、重大主题电视剧的学术讨论和理论研究日益增多，初步形成了新主流影视剧学术话语体系；主旋律影视领域创作生产的新形态、新特征、新现象也受到深度关注和深入阐释，为推动新时代中国影视创新发展做出重要理论贡献。

3.Foundational Theoretical Research: Condensing the Chinese School and Contributing Chinese Wisdom

In terms of foundational theoretical research, the most prominent and important contribution has been the formation of the new era Chinese film school, which has provided comprehensive academic support for the construction of the discipline,theory and discourse of new era Chinese films and television. On the basis of both intellectual inheritance and innovation, a series of new concepts, categories, and expressions has been created in the field of mainstream film and television research, exploring in a preliminary way the standards and systems of Chinese film and television commentary in the new era, and contributing Chinese wisdom to the research of world film and television theory.

基础理论研究：凝练中国学派，贡献中国智慧

在基础理论研究方面，最突出和重要的贡献是形成新时代中国电影学派，为构建新时代中国影视学科体系、理论体系、话语体系，提供了全方位学术支撑。在继承和创新基础上，主旋律影视领域研究还形成一系列新概念、新范畴、新表述，初步探索新时代中国影视评论标准及其体系，为世界影视理论研究贡献了中国智慧。

4.Conclusions

The distinctive contribution of this paper has been to provide an overview of the academic research and theoretical construction in the field of film and television, the mainstream of China since 2017, highlighting cultural consciousness and confidence, and unwaveringly exploring China’s unique path. The academic field of Chinese film and television in the new era is deeply rooted in China. Based on Chinese experiences and values, this article has distilled the Chinese school and Chinese model, demonstrated the Chinese style and tenor of academic research in the field of mainstream Chinese film and television, and gradually opened up a way for the development of film and television research with Chinese characteristics.

通览党的十九大以来中国主旋律影视领域的学术研究与理论建构，高扬文化自觉与文化自信，坚定不移地探索中国道路，是其鲜明底色。新时代中国影视学术领域深深扎根中国大地，基于中国经验、中国价值,凝练中国学派、中国模式，展现中国主旋律影视领域学术研究的中国风范、中国气质，逐步开拓出一条中国特色影视研究的发展之路。

Journal of Chinese Film Studies

《中国电影研究》

主编：王海洲 金海娜

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编辑：李晴雪

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Constructing a Theoretical System for Chinese Films and Television: A Review of Academic Views of China’s Mainstream Film and Television Since 2017