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D·H·劳伦斯诗7首

Herbert Lawrence 星期一诗社 2024-01-10

戴维·赫伯特·劳伦斯(David Herbert Lawrence,通称D·H·劳伦斯),20世纪英国小说家、批评家、诗人、画家。代表作品有《儿子与情人》、《虹》、《恋爱中的女人》和《查泰莱夫人的情人》等。




终结 开始


如果万物的核心没有一种

纯然绝对的沉寂黑暗

与全然的湮没遗忘,

太阳将会多么恐怖慑人,

而擦一根火柴点亮一盏灯也将令人畏惧。


而太阳却正是一个中枢

铆定于纯粹遗忘的核心,

而一支蜡烛,甚至一根火柴,也是如此。


如果没有一种绝对的纯然忘却,

没有一种停止知晓,这完美的停止,

没有一种沉寂的全然停滞,不再感知,

生命将多么恐怖慑人,

必须思考必须感知具有意识将是多么恐怖慑人!


但是浸入、一旦浸入黑暗的遗忘,

灵魂便得到安宁,得到内在的可爱的安宁。




睡眠


睡眠是死亡的阴影,且不仅如此。

睡眠是可爱的遗忘磷火一闪。

当我去了,完全跌落,消失不见,

我生命的一切疼痛便会治愈。




疲倦


我的灵魂已历经漫长而艰辛的一天

她已疲惫,

正寻求着遗忘。


哦,在这人世

没有任何地方可令灵魂找到她的遗忘

她宁静之乡的透彻黑暗,

因为人类已戕杀了大地的静谧,

糟践了所有宁静的遗忘之所,

而天使的亮翅只是曾经。




忘却


能够忘却便是能够顺服上帝,

因为他深居于无底的遗忘。

只在纯然的遗忘中我们才与上帝同居,

当我们装满知识,我们便已将它阻止。




通晓万事


人一无所知

除非知道何以不知。


最好的老师会说:

一切知识皆以遗忘为终

甜美幽暗的遗忘,那时我

甚可不再是自己,我因此圆满。




道德


多么可悲,一个人看着镜中的自己,

没有像狗一样对它狂吠,

也没有像猫一样竖起毛须愤愤不已!

他严肃自省,得出一套道德教训,啊,这多么可悲!




死亡之歌


歌唱那死亡之歌啊,尽情歌唱!

没有死亡之歌,生命之歌

将毫无意义且无聊愚蠢。


那么尽情歌唱死亡,那最漫长的旅程

歌唱灵魂随身带走的所有以及抛却的一切

歌唱他如何找到黑暗以及向他展开的纯然安宁

最终的最终,那宁静展现于无数的海洋之外。


得 一 忘 二 / 译



D.H. Lawrence is best known for his infamous novel 'Lady Chatterley's Lover,' which was banned in the United States until 1959. He is widely regarded as one of the most influential writers of the 20th century.

Synopsis

Born in England in 1885, D.H. Lawrence is regarded as one of the most influential writers of the 20th century. He published many novels and poetry volumes during his lifetime, including Sons and Lovers and Women in Love, but is best known for his infamous Lady Chatterley's Lover. The graphic and highly sexual novel was published in Italy in 1928, but was banned in the United States until 1959, and in England until 1960. Garnering fame for his novels and short stories early on in his career, Lawrence later received acclaim for his personal letters, in which he detailed a range of emotions, from exhilaration to depression to prophetic brooding. He died in France in 1930.

Early Life

Author D.H. Lawrence, regarded today as one of the most influential writers of the 20th century, was born David Herbert Lawrence on September 11, 1885, in the small mining town of Eastwood, Nottinghamshire, England. His father, Arthur John Lawrence, was a coal miner, and his mother, Lydia Lawrence, worked in the lace-making industry to supplement the family income. Lawrence's mother was from a middle-class family that had fallen into financial ruin, but not before she had become well-educated and a great lover of literature. She instilled in young D.H. a love of books and a strong desire to rise above his blue-collar beginnings.

Lawrence's hardscrabble, working-class upbringing made a strong impression on him, and he later wrote extensively about the experience of growing up in a poor mining town. "Whatever I forget," he later said, "I shall not forget the Haggs, a tiny red brick farm on the edge of the wood, where I got my first incentive to write."

As a child, Lawrence often struggled to fit in with other boys. He was physically frail and frequently susceptible to illness, a condition exacerbated by the dirty air of a town surrounded by coal pits. He was poor at sports and, unlike nearly every other boy in town, had no desire to follow in his father's footsteps and become a miner. However, he was an excellent student, and in 1897, at the age of 12, he became the first boy in Eastwood's history to win a scholarship to Nottingham High School. But at Nottingham, Lawrence once again struggled to make friends. He often fell ill and grew depressed and lethargic in his studies, graduating in 1901 having made little academic impression. Reflecting back on his childhood, Lawrence said, "If I think of my childhood it is always as if there was a sort of inner darkness, like the gloss of coal in which we moved and had our being."

In the summer of 1901, Lawrence took a job as a factory clerk for a Nottingham surgical appliances manufacturer called Haywoods. However, that autumn, his older brother William suddenly fell ill and died, and in his grief, Lawrence also came down with a bad case of pneumonia. After recovering, he began working as a student teacher at the British School in Eastwood, where he met a young woman named Jessie Chambers, who became his close friend and intellectual companion. At her encouragement, he began writing poetry and also started drafting his first novel, which would eventually become The White Peacock.

'The White Peacock' & 'The Trespasser'

In the fall of 1906, Lawrence left Eastwood to attend the University College of Nottingham to obtain his teacher's certificate. While there, he won a short-story competition for "An Enjoyable Christmas: A Prelude," which was published in the Nottingham Guardian in 1907. In order to enter multiple stories in the competition, he entered "An Enjoyable Christmas: A Prelude" under Jessie Chambers's name, and although it was published as such, people soon discovered that Lawrence was its true author.

In 1908, having received his teaching certificate, Lawrence took a teaching post at an elementary school in the London suburb of Croydon. He also continued to write, and in 1909 he received his big break when Jessie Chambers managed to get some of his poems published in the English Review. The publishers at the English Review took a great interest in Lawrence's work, recommending his draft of The White Peacock to another publisher, William Heinemann, who printed it in 1911. Set in his childhood hometown of Eastwood, the novel foreshadowed many of the themes that would pervade his later work, such as mismatched marriages and class divides.

A year later, Lawrence published his second novel, The Trespasser, a story based on the experiences of a fellow teacher who had an affair with a married man who then committed suicide. Around the same time, Lawrence became engaged to an old friend from college named Louie Burrows.

'Sons and Lovers'

However, in the spring of 1912, Lawrence's life changed suddenly and irrevocably when he went to visit an old Nottingham professor, Ernest Weekley, to solicit advice about his future and his writing. During his visit, Lawrence fell desperately in love with Weekley's wife, Frieda von Richthofen. Lawrence immediately resolved to break off his engagement, quit teaching, and try to make a living as a writer, and, by May of that year, he had persuaded Frieda to leave her family. The couple ran off to Germany, later traveling to Italy. While traveling with his new love, Lawrence continued to write at a furious pace. He published his first play, The Daughter-in-Law, in 1912. A year later, he published his first volume of poetry: Love Poems and Others.

Later in 1913, Lawrence published his third novel, Sons and Lovers, a highly autobiographical story of a young man and aspiring artist named Paul Morel, who struggles to transcend his upbringing in a poor mining town. The novel is widely considered Lawrence's first masterpiece, as well as one of the greatest English novels of the 20th century.

'The Rainbow' & 'Women in Love'

Lawrence and Frieda von Richtofen soon returned to England, where they married on July 13, 1914. That same year, Lawrence published a highly regarded short-story collection, The Prussian Officer, and in 1915 he published another novel, The Rainbow, which was quite sexually explicit for the time. Critics harshly condemned The Rainbow for its sexual content, and the book was soon banned for obscenity.

Feeling betrayed by his country but unable to travel abroad because of World War I, Lawrence retreated to Cornwall at the far southwestern edge of Great Britain. However, the local government considered the presence of a controversial writer and his German wife so near the coast to be a wartime security threat, and it banished him from Cornwall in 1917. Lawrence spent the next two years moving among friends' apartments. However, despite the tumult of the period, Lawrence managed to publish four volumes of poetry between 1916 and 1919: Amores (1916), Look! We Have Come Through! (1919), New Poems (1918) and Bay: A Book of Poems (1919).

In 1919, with the First World War finally ended, Lawrence once again departed England for Italy. There, he spent two highly enjoyable years traveling and writing. In 1920, he revised and published Women in Love, which he considered the second half of The Rainbow. He also edited a series of short stories that he had written during the war, which were published under the title My England and Other Stories in 1922.

Determined to fulfill a lifelong dream of traveling to America, in February 1922, Lawrence left Europe and traveled east. By the end of the year—after stays in both Ceylon (modern day Sri Lanka) and Australia—he landed in the United States, settling in Taos, New Mexico. While in New Mexico, Lawrence completed Studies in Classic American Literature, a book of highly regarded and influential literary criticism of great American authors such as Benjamin FranklinNathaniel Hawthorne and Herman Melville.

Over the next several years, Lawrence split his time between a ranch in New Mexico and travels to New York, Mexico and England. His works during this period includes a novel, Boy in the Bush (1924); a story collection about the American continent, St. Mawr (1925); and another novel, The Plumed Serpent (1926).

'Lady Chatterley's Lover' & Final Works

Having fallen ill with tuberculosis, Lawrence returned to Italy in 1927. There, in his last great creative burst, he wrote Lady Chatterley's Lover, his best-known and most infamous novel. Published in Italy in 1928, Lady Chatterley's Lover explores in graphic detail the sexual relationship between an aristocratic lady and a working-class man. Due to its graphic content, the book was banned in the United States until 1959, and in England until 1960, when a jury found Penguin Books not guilty of violating Britain's Obscene Publications Act and allowed the company to publish the book.

At the highly publicized British obscenity trial, the prosecuting attorney infamously asked the jurors, "Is it a book that you would have lying around the house? Is it a book you would wish your wife or servants to read?" The jury's decision to allow publication of Lady Chatterley's Lover is considered a turning point in the history of freedom of expression and the open discussion of sex in popular culture. As British poet Philip Larkin quipped in one of his poems, "Sexual intercourse began/In 1963/Between the end of the 'Chatterley' ban/And the Beatles' first LP."

Increasingly hobbled by his tuberculosis, Lawrence wrote very little near the end of his life. His final works were a critique of Western religion titled Apocalypse and Last Poems, both of which were published in 1930.

Death and Legacy

D.H. Lawrence died in Vence, France, on March 2, 1930, at the age of 44.

Reviled as a crude and pornographic writer for much of the latter part of his life, Lawrence is now widely considered—alongside James Joyce and Virginia Woolf—as one of the great modernist English-language writers. His linguistic precision, mastery of a wide range of subject matters and genres, psychological complexity and exploration of female sexuality distinguish him as one of the most refined and revolutionary English writers of the early 20th century.

Lawrence himself considered his writings an attempt to challenge and expose what he saw as the constrictive and oppressive cultural norms of modern Western culture. He once said, "If there weren't so many lies in the world . . . I wouldn't write at all."



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